Past research on folk aesthetics has suggested that most people are subjectivists when it comes to aesthetic judgment. However, most people also make a distinction between good and bad aesthetic taste. To understand the extent to which these two observations conflict with one another, we need a better understanding of people's everyday concept of aesthetic taste. In this paper, we present the results of a study in which participants drawn from a representative sample of the US population were asked whether (...) they usually distinguish between good and bad taste, how they define them, and whether aesthetic taste can be improved. Those who answered positively to the first question were asked to provide their definition of good and bad taste, while those who answered positively to the third question were asked to detail by what means taste can be improved. Our results suggest that most people distinguish between good and bad taste, and think taste can be improved. People's definitions of good and bad taste were varied, and were torn between very subjectivist conceptions of taste and others that lent themselves to a more objectivist interpretation. Overall, our results suggest that the tension Hume observed in conceptions of aesthetic taste is still present today. (shrink)

In this essay, we tackle the misconception that panic is simply a state of being « overwhelmed by your fear. » Panic, in our view, is not an extreme fear that necessarily pushes the person into dysfunctional, counterproductive and irrational behaviors. On the contrary, as we will try to show here, it is an emotion in its own right that has its own cognitive and motivational functions. We will analyze panic here as a reaction to a danger perceived as major, (...) imminent and without clear solution, in the sense that the subject does not have a determined action plan to react to the danger. Panic thus implies special access to certain information or certain facts – a perception or apprehension of danger and its precise properties – and it is in this that it has a cognitive function. On the motivational level, we will defend the idea that panic involves tendencies to action appropriate to the situation as it is perceived. Contrary to popular opinion and that of philosophers,we will therefore propose away of conceiving panic as being able to be functional and thus, rational, insofar as this emotion helps us to reach our goals given the means of which we dispose. Contrary to what we might think, in some situations it is worth panicking. (shrink)

Drawing on affective sciences, I argue that normally elicited emotions involve a component—the appraisal process—that represents evaluative properties unconsciously. More specifically, I argue that, given a substantial agreement in affective sciences about what emotions are, given broadly shared definitions of representation, evaluative properties, and unconsciousness, given how appraisals are conceptualized by most (neuro)psychological theories of emotion, and given empirical evidence about affective states elicited by stimuli perceived unconsciously, we are led to conclude that normally elicited emotions involve a component that (...) represents evaluative properties unconsciously. In the last section, I assess which philosophical theories of emotions are in contradiction with my conclusion, ask whether it implies that emotions represent evaluative properties consciously as well, and discuss how it relates to the debate on unconscious emotions. (shrink)

Dans cette entrée, après une introduction qui servira de cadre à notre discussion (section 1.), nous allons présenter et analyser des définitions du concept « Art ». Nous discuterons brièvement les définitions classiques les plus influentes puis nous nous concentrerons sur les principales définitions contemporaines. -/- Nous verrons pourquoi les définitions classiques sont aujourd’hui considérées comme insatisfaisantes (2.a.), et comment les philosophes, à partir de la seconde moitié du XXème siècle ont tenté de pallier leurs défauts. Dans les grandes lignes, (...) le problème principal soulevé à l’encontre des théories classiques est qu’elles cherchent toutes l’essence de l’art dans un trait caractéristique qui serait reconnaissable dans les œuvres elles-mêmes. Les théories contemporaines répondent à ce problème principalement de quatre façons, comme on le verra dans les sections 2.b à 2.d. Les théories sceptiques (2.b.) défendent qu’il est dès lors impossible de définir l’art – qu’on peut au mieux en donner certains caractères typiques, des airs de famille. Les théories relationnalistes (2.c.) défendent que ce qui fait qu’une chose est de l’art est à trouver en dehors de celle-ci, notamment dans les relations qu’elle entretient avec son contexte de création ou de présentation. Les théories néo-classiques (2.d.) continuent à chercher l’essence de l’art dans un trait caractéristique reconnaissable dans les œuvres elles-mêmes tout en prenant en compte les réactions sceptiques ou relationnalistes. Enfin, la théorie du ‘renvoi de la balle’ (2.e.) défend que l’on ne peut pas définir l’art mais seulement des sous-catégories comme la musique, la sculpture, les installations, les performances, etc. -/- Nous présenterons les avantages et les inconvénients principaux des théories contemporaines. Nous verrons qu’aucune n’est dénuée de problèmes, expliquant pourquoi il n’existe pas de consensus sur une définition de l’art aujourd’hui. Nous verrons également que – à l’exception d’un certain scepticisme qui jette, semble-t-il, trop vite l’éponge – chacune de ces théories amène, par son originalité, à une compréhension nouvelle et plus profonde de cette notion extrêmement complexe qu’est le concept « Art ». (shrink)

When we see or hear a spontaneous emotional expression, we usually immediately, effortlessly, and often correctly interpret it to mean happiness, sadness, or some other emotion as well as what this emotion is about. How do we do that? In this article, I evaluate how useful the concepts of natural meaning and probabilistic meaning are when it comes to explaining how we and other animals interpret emotional signs displayed without communicative intentions. I argue that Grice’s notion of natural meaning, because (...) it is a factive relation, is too restrictive for this purpose. I then present the notion of probabilistic meaning. The latter seems adequate for analyzing our ability to interpret non-communicative emotional signs, but it faces several difficulties when it comes to analyzing how we and other animals interpret emotional _signals_, i.e. signs that have the function to communicate emotional information. I present three of these difficulties. En passant, I suggest that a teleosemantic notion may be better suited for these challenges. (shrink)

Past research on folk aesthetics has suggested that most people are subjectivists when it comes to aesthetic judgment. However, most people also make a distinction between good and bad aesthetic taste. To understand the extent to which these two observations conflict with one another, we need a better understanding of people's everyday concept of aesthetic taste. In this paper, we present the results of a study in which participants drawn from a representative sample of the US population were asked whether (...) they usually distinguish between good and bad taste, how they define them, and whether aesthetic taste can be improved. Those who answered positively to the first question were asked to provide their definition of good and bad taste, while those who answered positively to the third question were asked to detail by what means taste can be improved. Our results suggest that most people distinguish between good and bad taste, and think taste can be improved. People's definitions of good and bad taste were varied, and were torn between very subjectivist conceptions of taste and others that lent themselves to a more objectivist interpretation. Overall, our results suggest that the tension Hume observed in conceptions of aesthetic taste is still present today. (shrink)

We propose leveraging cognitive science research on emotions and communication to improve language models for emotion analysis. First, we present the main emotion theories in psychology and cognitive science. Then, we introduce the main methods of emotion annotation in natural language processing and their connections to psychological theories. We also present the two main types of analyses of emotional communication in cognitive pragmatics. Finally, based on the cognitive science research presented, we propose directions for improving language models for emotion analysis. (...) We suggest that these research efforts pave the way for constructing new annotation schemes, methods, and a possible benchmark for emotional understanding, considering different facets of human emotion and communication. (shrink)

We argue that political propaganda is a negative phenomenon, against a recent strain of philosophical theorizing that argues that political propaganda can sometimes be neutral or even positive. After an exploration of the sense and connotation of the word ‘propaganda’ in ordinary use and in the scholarly literature, we discuss Ross’s (2002) account of propaganda as an epistemically defective form of political communication. We claim that, with some refinements, it is an explanatorily useful analysis. We then assess two prominent attempts (...) that aim at classifying legitimate cases of public communication as cases of propaganda, namely Ross’s (2013) revision of her previous model, and Stanley’s (2015) influential account. We show that some of the cases in contention are problematic and that the arguments the authors offer for classifying other non-problematic cases as propaganda are inconclusive. We also argue that the idea of considering legitimate public communication as propaganda is unmotivated. (shrink)

Can AI and humans genuinely communicate? In this article, after giving some background and motivating my proposal (§1–3), I explore a way to answer this question that I call the ‘mental-behavioral methodology’ (§4–5). This methodology follows the following three steps: First, spell out what mental capacities are sufficient for human communication (as opposed to communication more generally). Second, spell out the experimental paradigms required to test whether a behavior exhibits these capacities. Third, apply or adapt these paradigms to test whether (...) an AI displays the relevant behaviors. If the first two steps are successfully completed, and if the AI passes the tests with human-like results, this constitutes evidence that this AI and humans can genuinely communicate. This mental-behavioral methodology has the advantage that we don’t need to understand the workings of black-box algorithms, such as standard deep neural networks. This is comparable to the fact that we don’t need to understand how human brains work to know that humans can genuinely communicate. This methodology also has its disadvantages and I will discuss some of them (§6). (shrink)

Together, the code and inferential models of communication are often thought to range over all cases of communication. However, their prevailing versions seem unable to fully explain what I call underdeterminacy without ostension. The latter is constituted by communication where stimuli that are not (nor appear to be) produced with communicative or informative intentions nevertheless communicate information underdetermined by the relevant codes. Though the prevailing accounts of communication cannot fully explain how communication works in such cases, I suggest that some (...) version of the inferential model can—if we allow it to extend to non‐ostensive, non‐intentional behaviors. (shrink)

This dissertation may be divided into two parts. The first is about the Extended Gricean Model of information transmission. This model, introduced here, is meant to better explain how humans communicate and understand each other. It has been developed to apply to cases that were left unexplained by the two main models of communication found in contemporary philosophy and linguistics, i.e. the Gricean (pragmatic) model and the code (semantic) model. I discuss cases involving emotional reactions, ways of clothing, speaking, or (...) behaving that are not intended for communication but whose effects on the audience are controllable to some extent. I show why prevailing code and Gricean models cannot explain them and how my Extended Gricean Model does. The second part of the dissertation is about what emotional signs mean, in various senses of the term ‘mean'. I review existing theories of meaning and see how they apply to emotional signs, i.e. signs which give us information about the affective state of the sign producer. (shrink)

RÉSUMÉ. Cet article examine plusieurs façons de comprendre les émotions comme des réactions évaluatives. Il existe un consensus dans les sciences affectives qui veut que les émotions paradigmatiques soient faites de quatre composants : catégorisation du stimulus, tendances à l’action, changements corporels et aspect phénoménal. L’article expose les quatre principales théories dans la philosophie contemporaine des émotions et montre qu’elles ont tendance à se focaliser sur l’un ou l’autre des quatre composants des émotions pour expliquer leur nature évaluative. La conclusion (...) est qu’il est possible de rendre compte des émotions comme réactions évaluatives à ces quatre niveaux et que, pour cette raison, les conceptions présentées sont plus complémentaires qu’on ne le suppose généralement. ABSTRACT. This article examines several ways of understanding emotions as evaluative reactions. There is a consensus in affective sciences that paradigmatic emotions are made up of four components: appraisal process, action tendencies, bodily changes, and phenomenal character. The article outlines the four main theories in contemporary philosophy of emotions and shows that they tend to focus on one of the four components of emotions to explain their evaluative nature. The conclusion is that it is possible to account for emotions as evaluative reactions through the four components and that, for this reason, the theories presented are more complementary than is generally assumed. (shrink)

In this article, I argue that at least some moods are affective episodes whose main difference from emotions is that their intentional objects, qua intentional objects, are not consciously available. I defend this claim by exposing an experiment where affective responses – moods, I maintain – are elicited by subliminal pictures (§2). I then show how everyday kinds of moods can also be plausibly interpreted as emotion-like affects whose intentional object is not conscious (§3). In the final section (§4), I (...) borrow the six criteria for rationality that de Sousa proposed in The rationality of emotion and show how they can be used to argue that, if we conceive of moods as such, then they too can be rational. (shrink)

In this paper, I am going to cast doubt on an idea that is shared, explicitly or implicitly, by most contemporary pragmatic theories: that the inferential interpretation procedure described by Grice, neo-Griceans, or post-Griceans applies only to the interpretation of ostensive stimuli. For this special issue, I will concentrate on the relevance theory (RT) version of this idea. I will proceed by putting forward a dilemma for RT and argue that the best way out of it is to accept that (...) the relevance-theoretic comprehension procedure ap- plies to certain non-ostensive stimuli, contrary to what is generally claimed within RT. In particular, I will argue that relevance theorists should accept that (ceteris paribus) non- ostensive emotional expressions in interactions guarantee a presumption of relevance such that they are interpreted through the relevance-theoretic comprehension procedure. This leads me to propose what I call 'the expressive principle of relevance'. (shrink)

In this chapter, we start by spelling out three important features that distinguish expressives—utterances that express emotions and other affects—from descriptives, including those that describe emotions (Section 1). Drawing on recent insights from the philosophy of emotion and value (2), we show how these three features derive from the nature of affects, concentrating on emotions (3). We then spell out how theories of non-natural meaning and communication in the philosophy of language allow claims that expressives inherit their meaning from specificities (...) of emotions—namely, from being felt, evaluative attitudes toward propositional or non-propositional contents (4). (shrink)

Can music be considered a language of the emotions? The most common view today is that this is nothing but a Romantic cliché. Mainstream philosophy seems to view the claim that 'Music is the language of the emotions' as a slogan that was once vaguely defended by Rousseau, Goethe, or Kant, but that cannot be understood literally when one takes into consideration last century’s theories of language, such as Chomsky's on syntax or Tarski's on semantics (Scruton 1997: ch. 7, see (...) also Davies 2003: ch. 8, and Kania 2012). In this chapter, I will show why this common view is unwarranted, and thus go against nowadays philosophical mainstream by defending what I call the musicalanguage hypothesis. In Section 1, I will introduce the musicalanguage hypothesis and present, based on empirical evidence, some of the many similarities between language and music and explain why we should take them seriously. I will introduce a framework that aims to explain the communicative power of music using what we already know about linguistic communication (1.1). I will then outline several working hypotheses about musical grammar, musical meaning, and affective meaning (1.2), and thus defend that music is indeed very close to literally be a language of the emotions. In Section 2, I will detail some of the methodology, expectations, and preliminary results of a cross-cultural study on musical grammar that I am presently conducting between South India (Chennai) and Switzerland (Geneva and Lausanne)4. This empirical study focuses on two musical idioms and their grammatical features: Western classical music of the Common Period (ca. 1600-1900) and South Indian classical music (also know as Carnatic music). The main hypothesis of this study is that you need to master the grammar of a musical idiom in order to properly understand its musical meanings. (shrink)

Dans ce texte, je me propose d’appliquer aux œuvres d'arts visuels, et en particulier à Baptism I de Michael Rampa, une théorie sur la nature de l’art, la théorie des qualités quaternaires. Selon celle-ci, l'art existe en vertu de qualités quaternaires, qui consistent en les créations ostensives de propriétés évaluatives perçues.

La créativité est une valeur aujourd’hui abondamment conférée à des objets fort divers. Ainsi, bien qu’elle soit principalement discutée dans le domaine de l’art, on en parle souvent à propos des sciences, du sport, de l’entrepreneuriat, de la politique, de la pédagogie ou encore de situations plus ordinaires, telles que la créativité culinaire ou humoristique. En quoi ces diverses formes de créativité se ressemblent-elles ? Qu’est-ce qui fait leur valeur et en quoi se distinguent-elles de proches parentes comme l’originalité, l’inventivité (...) ou l’intelligence ? (shrink)

S’agissant des actes de langage participant à la construction de la réalité sociale, les philosophes contemporains se sont restreints aux déclarations. Nous avançons qu’il existe une autre catégorie qui contribue à la fabrique et au maintien des faits sociaux : celle des incantatifs, actes de langage dont le but est l’expression et la génération d’émotions collectives, et qui contribuent ainsi à la création et au maintien des communautés.

In this long review, I will offer a summary as well as critical comments, chapter by chapter, of Samuel Lepine's book La nature des émotions: Une introduction partisane [The nature of emotions: An opiniated introduction] (2023). I will briefly summarize the first few chapters and discuss in more detail the last three chapters, where the most novel and most interesting contributions of the author are to be found.

The ability to focus on relevant information is central to human cognition. It is therefore hardly unsurprising that the notion of relevance appears across a range of different dis- ciplines. As well as its central role in relevance-theoretic pragmatics, for example, rele- vance is also a core concept in the affective sciences, where there is consensus that for a particular object or event to elicit an emotional state, that object or event needs to be relevant to the person in whom (...) that state is elicited. Despite this, although some affective scientists have carefully considered what emotional relevance might mean, surprisingly little research has been dedicated to providing a definition. Since, by contrast, the relevance-theoretic notion of relevance is carefully defined, our primary aim is to compare relevance as it exists in affective science and in relevance theory, A further aim is to redress what we perceive to be an imbalance: Affective scientists have made great strides in understanding the processes of emotion elicitation/responses etc., but despite the fact that among humans the communication of information about emotional states is ubiquitous, pragmatists have tended to ignore it. We conclude, therefore, that affective science and relevance theory have much to learn from each other. (shrink)

Charles Peirce’s Illustrations of the Logic of Science is an early work in the philosophy of science and the official birthplace of pragmatism. It contains Peirce’s two most influential papers: “The Fixation of Belief” and “How to Make Our Ideas Clear,” as well as discussions on the theory of probability, the ground of induction, the relation between science and religion, and the logic of abduction. Unsatisfied with the result and driven by a constant, almost feverish urge to improve (...) his work, Peirce spent considerable time and effort revising these papers. After the turn of the century these efforts gained significant momentum when Peirce sought to establish his role in the development of pragmatism while distancing himself from the more popular versions that had become current. The present edition brings together the original series as it appeared in Popular Science Monthly and a selection of Peirce’s later revisions, many of which remained hidden in the mass of messy manuscripts that were left behind after his death in 1914. (shrink)

Why, since happiness is so universally sought after, are so many people so miserable? The answer can be found by unpacking the wisdom of two of history's intellectual giants who set out to answer the question that has confounded man from time immemorial: What makes us happy? Aristotle and Thomas Aquinas existed sixteen centuries apart, yet each reached similar understandings about what makes a person happy and what makes him miserable. In these enlightening pages, Dr. Charles Nemeth synthesizes the (...) judgments of history's two greatest thinkers to present for you a life plan that inevitably leads to a happy human existence, whatever your ethnicity, religion, or citizenship. You will explore what it means to be happy and will come to understand the limitations of happiness. You'll learn how to live in accordance with your basic nature so that your inclinations will not conflict with that which makes you flourish. And you'll calibrate your compass so that you will be able to navigate your way into a state of life that makes you truly happy. Moreover, you'll discover why happiness is obtained through action and not mere desire and why wealth and fame do not -- and cannot -- buy happiness. You'll also learn why the body, despite providing avenues for sensory and intellectual pleasure, is incapable of providing true happiness. Strikingly, none of the suggestions in this book have ever been shown to be flawed. These timeless recommendations for a happy life never go out of favor and never change. Instead, they remain a constant, permanent, universal set of criteria on how to achieve a happy existence. You'll also learn: The benefits of moderation, sensibility, and equilibrium The source of ultimate happiness and the means to attain it The formula for fostering contentment -- what to strive for and what to avoid The essence of true goodness, happiness, and beauty Human excellence and different levels of happiness With this Rosetta stone of a book, you will find solutions to fortify your soul and bring you peace. You will be equipped with a new sense of direction, hope, and healing that will guide you closer to lasting happiness. (shrink)

</b>This commentary focuses on shape constancy in vision and its relation to sensorimotor knowledge. I contrast “Protean” and “Constancian” views about how to describe perspectival changes in the appearance of an object’s shape. For the Protean, these amount to changes in apparent shape; for Constance, things are not merely judged, but literally appear constant in shape. I give reasons in favor of the latter view, and argue that Noë’s attempt to combine aspects of both views in a “dual aspect” (...) account does not manage to avoid an unacceptable attribution of contradictory content to visual appearance. I argue also that my position here actually fits better with Noë’s critique of a “snapshot” conception of visual appearance than his own interpretation of visual constancy, and better supports his claim that experiential content is constituted by the exercise of sensorimotor understanding. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Is Oedipus Smart?Charles B. DanielsWhat does it amount to, to ask whether Oedipus is smart, intelligent, clever? I take this to mean that he is quicker than most to gain understanding about difficult matters. Now, does Sophocles in Oedipus Rex portray Oedipus to be an intelligent, clever man?The Yes AnswerA "yes" answer to the title question may rest upon three grounds:Y1. Everyone in the play, including Oedipus himself (...) and the citizens of Thebes who have been his subjects for some 15 to 20 years, everyone, that is, save Teiresias, thinks that Oedipus is intelligent.Y2. In both legend and Sophocles' play, the only person smart enough to solve the Sphinx's riddle is Oedipus. Everyone in the play, as well as in the play's audiences, knows that Oedipus has solved the Sphinx's riddle. This is a major reason why everyone in the play, again excepting Teiresias, believes Oedipus to have a first-class mind. Oedipus is renown for this deed and thought by his subjects to be very clever in doing of it.Y3. John P. Carroll, in his interesting study of the extraordinary number of questions posed by Oedipus in Oedipus Rex (one in each nine lines of text uttered by him), concludes, "King Oedipus was endowed at birth with the heritage of the 'riddler's mind,' which by constant use throughout the course of his life he sharpened and brought to greater [End Page 562] perfection than it ever had had in his parents." 1 Oedipus is clever because he has a "riddler's mind": he asks lots of questions.Y1, Y2, and Y3, I believe, constitute the sole evidential textual base for the "yes" response to the title question. 2The No AnswerThe "no" answer, the view that Oedipus is not clever, rests upon four grounds:N1. The first consists of events from Oedipus' past that took place prior to the opening scene of the play and hence do not occur on stage. These are disclosed as the play progresses and its characters relate in dialogue what they believe to have taken place. We discover that Oedipus has lived his entire adult life with unresolved doubts about who his parents are. Worse yet, at the very beginning of his adult life, his inquiry at the Delphic Oracle met with terrible, enigmatic pronouncements that raised the ante on these doubts and made the tenor of his whole subsequent life up to the present worrisome to say the least. We learn of six questions of high moment to Oedipus—questions that touch him as profoundly as did the Sphinx's riddle, "What walks on two, three, and four legs?"—questions which he continues to be aware of and yet has not resolved, or in some cases even probed. A truly clever person, one with a "riddler's mind," would have done so. But the mature Oedipus we meet at the beginning of the play has yet to puzzle out correct answers to the questions:1. Where did the scars on my feet come from?2. Who are my real parents, Polybus and Merope, or some other couple?3. How can I best avoid doing the terrible things the Oracle foretells I shall do—killing my father and marrying my mother—given I am not sure who my father and mother really are?4. Is this old man who has just forced me off the road and arrogantly swatted me from his passing carriage my father?5. Who killed the king whose throne I have just been given?6. Is this widow I am about to marry my mother?The Oedipus we see at the beginning of the play is a man who has solved the riddle of the Sphinx, but has not solved a single one of these six questions from his own past life, which, it turns out, are easily of comparable importance to him. [End Page 563]N2. Another source of evidence in support of a "no" answer consists of failures on Oedipus' part to evince a quick wit concerning two puzzles that arise in the dramatic present among the events we see unfold on stage:7. The riddles... (shrink)

Abstact : This article provides a critical examination of David Estlund’s epistemic proceduralism. Epistemic proceduralism suggests a promising way to justify democracy without renouncing the pursuit of truth. By making the legitimacy and authority of democratic institutions dependent on their general tendency to produce good decisions, rather than on the correctness of their results or on their mere procedural fairness, it shows that they can to be connected to substantial standards, such as justice, without ignoring the persistence of moral disagreements. (...) By subjecting political procedures to a dual requirement, both epistemic and egalitarian, it suggests that a mixed conception of the value of democracy can be articulated. But by refusing to take sides on the nature of truth, on the choice of the relevant substantial standard, or on the moral theory defining the constraints that equal respect imposes on the choice of political procedures, epistemic proceduralism fails in my view to offer a convincing defence of democracy. In order to explain what makes democracy valuable, a philosophical conception must take a position on the nature of truth, justice and equality. -/- Résumé : Cet article propose une relecture critique du procéduralisme épistémique élaboré par David Estlund. Cette théorie suggère une voie prometteuse pour justifier démocratie sans renoncer à la poursuite de de la vérité. En proposant de faire dépendre la légitimité et l’autorité des procédures démocratiques de leur tendance générale à produire de bonnes décisions, plutôt que de la justesse constante de leurs résultats ou à l’inverse de leur seule équité procédurale, il montre qu’elles peuvent être reliées à une visée substantielle, telle la justice, sans ignorer pour autant la persistance des désaccords à son endroit. En soumettant ces procédures à une double exigence, à la fois épistémique et égalitaire, il montre qu’une conception mixte de la valeur de la démocratie est concevable. Mais en refusant de prendre parti sur la nature de la vérité, sur le choix du critère objectif devant guider l’évaluation des décisions politiques ou sur la théorie morale permettant d’expliciter les contraintes que l’égal égard dû aux personnes impose au choix des procédures, le procéduralisme épistémique s’interdit de construire une justification convaincante de la démocratie. Une justification philosophique de la démocratie doit, pour rendre compte de ce qui fait sa valeur, prendre position sur la nature de la vérité, de la justice et de l’égalité. (shrink)

Biogenetic structural theory takes an entrainment view of the nature of consciousness. Human consciousness is a function of the brain and is mediated by networks of living neural cells that develop from initial, neurognostic models of self and world. Models interact or "entrain" as a constantly changing field of experience. The entire population of neural models that may potentially entrain within the field of consciousness is called the "cognized environment.” The organization of the network of cells (the "conscious network") mediating (...) consciousness operates according to a circadian cycle. Recurrent phases of consciousness are cognized and labelled. Transformations between phases of consciousness are often ritually controlled by society in order to control experiences that are in turn interpreted in terms of the society's cosmology. Recent developments in the biogenetic structural study of consciousness are summarized, including studies of transpersonal experiences, the development of consciousness in early life, and the advantages of neurophenomenology. (shrink)

What Weiss attempts to do in The God We Seek is to give a sort of phenomenology, to use his own word, of man's religious life. It is a philosophical anthropology more than a philosophical theology. I suppose I have, here and there, offered fragments of such a study, but in this book the focus is throughout on man's search for God as this search is found in the various religions. The primary emphasis is on the rivalry of religions, or (...) of religion with philosophy, rather than the rivalry of philosophies. Comparative religion, not comparative philosophy, is the main approach. Still, Weiss is very much the philosopher in this book. He is philosophical in an existential way, with emphasis upon relevant experiences of a profound sort. His own systematic metaphysics is kept in the background. True, he speaks rather constantly of "substances" or "beings"; but then every philosophy must have a translation for this term. Even the Buddhists have it, and certainly Whiteheadians or Peirceans do. But on the whole the language is philosophically nontechnical or neutral, and this has its advantages. Incidentally, the discussion of religious language is penetrating and judicious. (shrink)

Mostowski [11] shows that if a structure has a decidable theory, then its weak direct power has one as well; his proof however never produces decision procedures which are elementary recursive. Some very general results are obtained here about the nature of the weak direct power of a structure, which in most cases lead to elementary recursive decision procedures for weak direct powers of structures which themselves have elementary recursive procedures. In particular, it is shown that $\langle N^\ast, +\rangle$ , (...) the weak direct power of $\langle N, +\rangle$ , can be decided in space 2 2 2 cn for some constant c. As corollaries, the same upper bound is obtained for the theory of the structure $\langle N^+, \cdot\rangle$ of positive integers under multiplication, and for the theory of finite abelian groups. Fischer and Rabin [7] have shown that the theory of $\langle N^\ast, +\rangle$ requires time 2 2 2 dn even on nondeterministic Turing machines. (shrink)

This study aims to reconstruct some of the main strategies to address the controversial position of Kant in his opusculum On the Supposed Right to Lie for the sake of Humanity, namely, an unconditional prohibition of lying, even when the consequences are catastrophic, seeking to ascertain the relevance such as an attempt to better situate the ethics of Kant in the face of overwhelming objections from the critics.Wood, for example, argues that the opusculum does not deal with an ethical duty, (...) but a legal duty not to lie, claiming that the prohibition does not lie in the opusculum comes from the categorical imperative, but the universal principle of law. Korsgaard and Mahon argue that, regardless of the question for the type of duty in dispute between Kant and Constant, the point is that it does not follow the ethics of Kant, at least in some formulations of the categorical imperative of an unconditional prohibition of lying. In addition, it will defend itself in order to avoid such objections to Kantian ethics would need to abandon the distinction between duties of perfect obligation and duties of imperfect obligation, since, although not a dispute about an ethical duty, the classification of the duty not to lie as a perfect duty to oneself or to others signifies your unconditional.Este estudo pretende reconstruir algumas das principais estratégias de enfrentar a controversa posição de Kant em seu opúsculo Sobre o suposto direito de mentir por amor à humanidade, a saber, uma proibição incondicional da mentira, mesmo quando as consequências são catastróficas, buscando averiguar a pertinência dessas enquanto uma tentativa de melhor situar a ética de Kant diante das objeções avassaladoras dos críticos. Wood, por exemplo, defende que o opúsculo não trata de um dever ético, mas sim de um dever jurídico de não mentir, sustentando que a proibição da mentira no opúsculo não deriva do imperativo categórico, mas do princípio universal do direito. Korsgaard e Mahon afirmam que, independente da questão relativa ao tipo do dever em disputa entre Kant e Constant, o ponto é que não se segue da ética de Kant, ao menos em algumas das formulações do imperativo categórico uma proibição incondicional da mentira. Além disso, se defenderá que, a fim de evitar esse tipo de objeções a ética de Kant precisaria abandonar a distinção entre deveres de obrigação perfeita e deveres de obrigação imperfeita, uma vez que, mesmo que não seja uma disputa acerca de um dever ético, a classificação do dever de não mentir como um dever perfeito para consigo mesmo ou para com os outros implica sua incondicionalidade. (shrink)

Excerpt from Christian Moral Principles: Seven Sermons Preached in Grosvenor Chapel as a Lenten Course in 1921 These sermons were not intended for publication, nor were they written; and I know that in my case unwritten sermons are not fit for publication. But they were very well taken down by a shorthand reporter, and I have agreed to their publication, and revised them in a measure for the purpose, because I have some reason to hope they may be useful to (...) others besides those who heard them in Grosvenor Chapel; and also for another reason. We are told constantly and truly that we greatly need good books on Moral Theology which are something more than adaptations of Roman Catholic books. Now "moral theology" may have different meanings. 1. It may mean the theology or doctrine of God which is required as a postulate for the moral principles and practices of the Christian life. This is a very important subject to which these sermons only attempt incidentally to make a slight contribution, especially sermons iv and v. But it is an important subject of study to which too little attention has recently been devoted. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

Many Christian churches in parts of Ghana dominated by Akans do not allow corpses to be brought inside the church during funerals services. Others face constant and vehement objection when it is done. Cultural differences on the subject have fuelled heated disputes that have led in some cases to severe congregational division. Opposition is often sustained by a culturally biased approach to biblical texts concerning sacredness and defilement as related to Old Testament sanctuary and temple ritual. Particularly, the religious (...) philosophy of mmusuo provides the psycho-emotive motivation from which many Akan Christians vehemently oppose the practice as sacrilegious. It also provides an analytical and rhetorical framework for appropriating various biblical passages relating to religious sacrilege. This paper unpacks this framework and proposes effectively contextualized theology as a means of avoiding such erroneous conflations and resolving the disputes that arise at the interface of African culture and Christian religion, especially in multicultural congregations. (shrink)

GRW theory offers precise laws for the collapse of the wave function. These collapses are characterized by two new constants, \ and \ . Recent work has put experimental upper bounds on the collapse rate, \ . Lower bounds on \ have been more controversial since GRW begins to take on a many-worlds character for small values of \ . Here I examine GRW in this odd region of parameter space where collapse events act as natural disasters that destroy branches (...) of the wave function along with their occupants. Our continued survival provides evidence that we don’t live in a universe like that. I offer a quantitative analysis of how such evidence can be used to assess versions of GRW with small collapse rates in an effort to move towards more principled and experimentally-informed lower bounds for \. (shrink)

In The Hermeneutics of the Subject, Michel Foucault criticizes modern historiography for presupposing a factitious theory of the subject. Foucault rejects this presupposition and pursues an alternative style of historiography, organized by the analysis of epimeleia heautou (“care of the self”). Aiming his criticism solely at its theory of the purified subject, Foucault overlooks the deeper structural incoherence of modern historiography. This oversight leads Foucault to an uncritical embrace of a style of historiography that enacts its own form of purification. (...) In the reading developed here, Foucault systematically purges the history of class struggle from the analysis of self-care. This essay introduces the outlines of a Marxian approach to ancient practices of care of the self that is nonreductive and nondeterminist in and through a reading of Foucault. In this approach, the organization of classes and the practices of care of the self that materialize within a society are to be understood historically as constantly shaping and influencing one another. (shrink)

Dans son livre Le corps, c’est l’écran. La philosophie du visuel de Merleau-Ponty, Anna Caterina Dalmasso met en évidence la présence de la pensée merleau-pontienne dans les réflexions contemporaines relevant des visual studies, de la médiologie et des études cinématographiques. Les analyses menées révèlent un Merleau-Ponty à l’origine d’un certain nombre de « tournants » majeurs dans le questionnement, touchant notamment à la conception de l’image et du médium. Enfin, l’une des ambitions – et l’une des réussites – de l’ouvrage (...) est de restituer l’apport significatif de Merleau-Ponty pour les film studies. A.C. Dalmasso jette des lumières nouvelles sur une interrogation en constante évolution, en s’appuyant à la fois sur les textes bien connus et les « inédits ».In her book Le corps, c’est l’écran. La philosophie du visuel de Merleau-Ponty, Anna Caterina Dalmasso brings to light the presence of Merleau-pontian thought in contemporary reflections relevant to visual studies, as well as film and media studies. The analyses she carried out reveal a Merleau-Ponty at the origin of a certain number of major “turns” in the inquiry, touching notably on the conception of the image and of the medium. Besides, one of the ambitions – and one of the successes – of the work is to demonstrate the significant contribution of Merleau-Ponty for film studies. A.C. Dalmasso throws new light on an interrogation in constant evolution, stressing both well-known texts and unpublished manuscripts.Nel volume Le corps, c’est l’écran. La philosophie du visuel de Merleau-Ponty, Anna Caterina Dalmasso mette in evidenza la presenza del pensiero merleau-pontyano nelle riflessioni contemporanee dei visual studies, della teoria del cinema e dei media. Le analisi che vi sono condotte rivelano un Merleau-Ponty all’origine di alcune importanti “svolte”, che riguardano in particolare la concezione dell’immagine e del medium. Inoltre, una delle ambizioni – e uno degli aspetti più originali – dell’opera è quella di restituire il significativo apporto di Merleau-Ponty per l’ambito dei film studies. A.C. Dalmasso fa luce in modo innovativo su un tema di ricerca in costante evoluzione, appoggiandosi ad un tempo su scritti più noti e su alcuni testi “inediti”. (shrink)

Sketches the basic idea for the approach taken. A mathematical system is to be developed in which the existential theorems of traditional mathematics are to be replaced by constructibility theorems: where, in traditional mathematics, it is asserted that such and such exists, it will be asserted in this system that something or other can be constructed. Thus, constructibility quantifiers are introduced in this chapter as logical constants of formal systems. The logic of the constructibility quantifier is explained in each case (...) via possible worlds semantics, which is used as a didactic or heuristic device. (shrink)

I argue that No-Ought-From-Is (in the sense that I believe it) is a relatively trivial affair. Of course, when people try to derive substantive or non-vacuous moral conclusions from non-moral premises, they are making a mistake. But No-Non-Vacuous-Ought-From-Is is meta-ethically inert. It tells us nothing about the nature of the moral concepts. It neither refutes naturalism nor supports non-cognitivism. And this is not very surprising since it is merely an instance of an updated version of the conservativeness of logic (in (...) a logically valid inference you don’t get out what you haven’t put in): so long as the expressions F are non-logical, you cannot get non-vacuous F-conclusions from non-F premises. However, the triviality of No-Non-Vacuous-Ought-From-Is is important and its non-profundity profound. No-Ought-From-Is is widely supposed to tell us something significant about the nature of the moral concepts. If, in fact, it tells us nothing, this is a point well worth shouting from the housetops. This brings me to my dispute with Gerhard Schurz who has proved a related version of No-Ought-From-Is, No-Ought-Relevant-Ought-From-Is, a proof which relaxes my assumption that ‘ought’ should not be treated as a logical constant. But if ought is not a logical expression then it does not really matter much that No-Ought-From-Is would be salvageable even if it were. Furthermore, Schurz’s proof depends on special features of the moral concepts and this might afford the basis for an abductive argument to something like non-cognitivism. As an error theorist, and therefore a cognitivist, I object. Finally I take a dim view of deontic logic. Many of its leading principles are false, bordering on the nonsensical, and even the reasonably plausible ones are subject to devastating counter-examples. (shrink)

The balance between births and deaths in an age-structured population is strongly influenced by the spatial distribution of sub-populations. Our aim was to describe the demographic process of a fish population in an hierarchical dendritic river network, by taking into account the possible movements of individuals. We tried also to quantify the effect of river network changes (damming or channelling) on the global fish population dynamics. The Salmo trutta life pattern was taken as an example for.We proposed a model which (...) includes the demographic and the migration processes, considering migration fast compared to demography. The population was divided into three age-classes and subdivided into fifteen spatial patches, thus having 45 state variables. Both processes were described by means of constant transfer coefficients, so we were dealing with a linear system of difference equations. The discrete case of the variable aggregation method allowed the study of the system through the dominant elements of a much simpler linear system with only three global variables: the total number of individuals in each age-class. (shrink)

There are two pitfalls which constantly threaten the literary historian who seeks the origins or beginnings of works of the mind such as species of literature or forms of religion, as well as the examples which partake of both. One danger is that the study may become an artificial construction without sufficient concrete basis in proved historical facts; the other is that the author may prefer experience to such constructions and may be too much influenced by what he has known (...) and been impressed with as origin and beginning in his own time. The latter has at least one advantage: where there is no experience at the outset of an investigation, not even that minimum of empeiria which I shall call, with the Greek poet Aleman, peira (peira toi mathesios archa, “experience is the beginning of knowledge”), then there can be no scholarship in the fields of literature, art, and religion. In the history of those three fields we can be competently guided only by “veterans”—not mere theoreticians but men who in a sense are also “practitioners” in the creating of works of the mind. Experience takes first place not only in the natural sciences but also in modern scholarship in these areas, even with the risk that it may be too personal, too time-bound, too small in scope. (shrink)

A common and enduring early modern intuition is that materialists reduce organisms in general and human beings in particular to automata. Wasn’t a famous book of the time entitled L’Homme-Machine? In fact, the machine is employed as an analogy, and there was a specifically materialist form of embodiment, in which the body is not reduced to an inanimate machine, but is conceived as an affective, flesh-and-blood entity. We discuss how mechanist and vitalist models of organism exist in a more complementary (...) relation than hitherto imagined, with conceptions of embodiment resulting from experimental physiology. From La Mettrie to Bernard, mechanism, body and embodiment are constantly overlapping, modifying and overdetermining one another; embodiment came to be scientifically addressed under the successive figures of vie organique and then milieu intérieur, thereby overcoming the often lamented divide between scientific image and living experience. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Further ReflectionsCharles AltieriI see now that I was wrong in lumping Robert B. Pippin with other philosophers who adapt literary experience to philosophical purposes.1 And I was probably too taken with Walter Benjamin to appreciate fully Pippin's version of Proustian sensibility. I can invoke no authority to explain why I did not see adequately that tone is so central to J. M. Coetzee's Elizabeth Costello. So I am very (...) grateful to Pippin not only for pointing out my inadequate reading but also showing how, as critics, we both—for the most part—emphasize conditions of experience rendered by great literary texts. But I cannot apologize for some features of my argument, so I hope to refine them in this response.Pippin is not interested in providing explanations for texts or even, at his best, in using philosophy to extract "meaning." He limits himself to a subset of literary texts that engage philosophical thinking. Within these limits he proposes to do philosophy by literary means. That is, he wants to develop philosophically the particular situations eliciting philosophical concerns. His goal is not to stabilize the arguments underlying the text but to make more fully articulate the particular line of reflection carried out by the text and projected as a means of engaging thought on the part of the audience. Philosophy by other means becomes an engagement with literary practices concentrating on how the ways that thinking is handled in the text can take on a kind of concrete universality. This move toward generalizability does not depend on universals provided by argument (since, if one follows Ludwig Wittgenstein's On Certainty, the fictive cannot be said to provide any knowledge of objective conditions, despite Pippin's wavering on this point; see p. 240). Rather, [End Page 260] generalization occurs by fleshing out dramatic particular occasions that establish significant perspectives on cultural problems, especially those involving transformations in cultural life, like understandings of self-knowledge, the consequences of imperialism, and the ways language becomes increasingly difficult to trust for communicative purposes.The philosophical task for Pippin is to provide a language for why the situation in a literary text might matter beyond the details that give it much of its power. G. W. F. Hegel showed how works of art can embody modes of thinking that provide articulate moments shaping what before them had been isolated undercurrents marking fissures in cultural life. Pippin wants to revive this ambition to produce philosophically articulate moments that bring out cultural and ideological tensions formative for modern reflective lives. This desire, I think, springs largely from Pippin's commitment to preserve Hegel's way of reading literature so that he can provide an alternative to Hegel's argument that once the universals established in an Absolute become increasingly visible, the significance of art for understanding culture will diminish substantially.Pippin has explored two alternatives for defending a Hegelian approach capable of preserving the cultural importance of the arts: in visual arts by providing languages for social critique, and in literature by actually dramatizing the significance of how texts can engage and establish processes of thinking that address pressing philosophical concerns. In effect, only by showing how Hegel was wrong that philosophy could establish a possibility of knowing an Absolute that would render art a minor player in civilization's capacity for self-awareness could criticism show how art becomes possibly the only vehicle we have to honor the spiritual complexities experience can make manifest.But even when I am led to agree for the most part with Pippin's claims about literature as philosophy, his focus on cultural relevance bothers me because that focus provides constant temptations to minimize the complex experiences works produce. So I think I have to try again to articulate what I think I can save of my efforts to distinguish literary experience from Pippin's enlightened philosophical ways of engaging literary texts. Let me propose three features of my original argument that seem still worth considering. First, I will simply assert that Pippin's theorizing of two factors necessary for interpreting intentions—as authorial purposiveness and as historically based recontextualizations of the work—makes it very difficult... (shrink)

This article elaborates on the dilemma faced by modernist poets in seeking to define values in an intellectual context that was post-Romantic and post-epistemic. Pound and Stevens, for example, reacted strongly against the ways that Romantic writers had tried to tie the rhetorical elaboration of values to precise descriptions, as if description could still support values. Victorian writing tended to experience the effort to ground value in fact as a source of constant irony, given that the desired values refused (...) to become manifest. Positivist philosophy and its literary allies asserted that values simply occupy a different and much more unstable realm than do facts. Having established these historical premises, the essay then concentrates on how Stevens and Pound, in challenging positivist assumptions, sought two different sources of value, each of which, however, placed value within the domain of experience. Pound's approach was Nietzschean, in that it was Nietzsche who had demonstrated how valuing precedes determinations about fact. Pound's capacity to make his early lyric poems seem to come out of nowhere and depend on linguistic invention alone for their power is shown to be a realization of Nietzschean strategies. Meanwhile, Stevens in his early work tried out a range of attitudes that seemed to him capable of defying fact, especially by approximating aphoristic self-assertion. Finally, Pound in his Cantos and Stevens from the late thirties onward developed self-reflexive versions of an analogical model of valuing that, as Dora Zhang has shown, shaped the response of novelists (James, Proust, and Woolf) to the same dilemma that modernist poets were facing. The essay closes with a reading of section XII of “An Ordinary Evening in New Haven” as a demonstration of Stevens's analogical mode. (shrink)

Max Weber's fragmentary writings on social status suggest that differentiation on this basis should disappear as capitalism develops. However, many of Weber's examples of status refer to the United States, which Weber held to be the epitome of capitalist development. Weber hints at a second form of status, one generated by capitalism, which might reconcile this contradiction, and later theorists emphasize the continuing importance of status hierarchies. This article argues that such theories have missed one of the most important forms (...) of contemporary status: celebrity. Celebrity is an omnipresent feature of contemporary society, blazing lasting impressions in the memories of all who cross its path. In keeping with Weber's conception of status, celebrity has come to dominate status “honor,” generate enormous economic benefits, and lay claim to certain legal privileges. Compared with other types of status, however, celebrity is status on speed. It confers honor in days, not generations; it decays over time, rather than accumulating; and it demands a constant supply of new recruits, rather than erecting barriers to entry. (shrink)

VP ellipsis generally requires a syntactically matching antecedent. However, many documented examples exist where the antecedent is not appropriate. Kehler, 533–575. 2002, Coherence, Reference and the Theory of Grammer, CSLI Publications. Stanford.) proposed an elegant theory which predicts a syntactic antecedent for an elided VP is required only for a certain discourse coherence relation, not for cause-effect relations. Most of the data Kehler used to motivate his theory come from corpus studies and thus do not consist of true minimal pairs. (...) We report five experiments testing predictions of the coherence theory, using standard minimal pair materials. The results raise questions about the empirical basis for coherence theory because a syntactically-matching antecedent is preferred for all coherence relations, not just resemblance relations. Further, strict identity readings, which should not be available when a syntactic antecedent is required, are influenced by parallelism per se, holding the discourse coherence relation constant. This draws into question the causal role of coherence relations in processing VP ellipsis. (shrink)